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Alleviative Objects: Intersectional Entanglement and Progressive Racism in Caribbean Art
Kategorie	Beschreibung
037b	eng
087q	978-3-8376-5592-6
100	Frohnapfel, David ¬[VerfasserIn]¬
331	Alleviative Objects
335	Intersectional Entanglement and Progressive Racism in Caribbean Art
403	1st ed.
410	Bielefeld
412	transcript Verlag
425	2020
425a	2020
433	1 online resource (318 p.) : 40 SW-Abbildungen
451	Postcolonial Studies ; 43
501	Online resource; title from title screen (viewed May 11, 2021)
527	Erscheint auch als (Druck-Ausgabe)ISBN: 978-3-8376-5592-6
540a	ISBN 978-3-8394-5592-0
700	\|AC;JHMC;HBT
700	\|SOC
700	\|9583
700	\|AC
700	\|JHMC
700	\|HBTR
700	\|SOC002010
750	The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink `Euro- and U.S.-centric' perspectives on art, race, and class. David Frohnapfel shows how progressive racism in the discourse on Haitian art recenters Whiteness by performing benign, innocent, and heroic identifications with the artist group Atis Rezistans. While the study turns critically towards Whiteness, it also turns away from it and towards the compelling contributions of Haitian curators and artists to the decentralization of contemporary art.
753	Besprochen in: https://networks.h-net.org, 20.11.2020, Marlene Daut
012	1757875603
081	Alleviative Objects
100	E-Book UTB-scholars EBS
125a	Elektronischer Volltext - Campuslizenz
655e	$uhttps://elibrary.utb.de/doi/book/10.5555/9783839455920