037b | eng |
077a | 500360200 Erscheint auch als (Druck-Ausgabe): ‡Flow of forms, forms of flow |
087q | 978-3-8376-4201-8 |
100b | Pinther, Kerstin ¬[HerausgeberIn]¬ |
104b | Weigand, Alexandra ¬[HerausgeberIn]¬ |
200b | Pinakothek der Moderne ¬[Gastgebende Institution]¬ |
204b | Museum Fünf Kontinente ¬[Gastgebende Institution]¬ |
208b | Kunstraum München e.V. ¬[Gastgebende Institution]¬ |
212b | Museum für Völkerkunde Hamburg ¬[Gastgebende Institution]¬ |
331 | Flow of forms, forms of flow |
335 | design histories between Africa and Europe |
370a | Flow of forms / forms of flow |
370a | Flow of forms/forms of flow |
410 | Bielefeld |
412 | transcript Verlag |
425 | [2018] |
425a | 2018 |
433 | 1 Online-Ressource (207 Seiten) : Illustrationen |
451 | Design ; 37 |
454 | Design |
455 | 37 |
527 | Erscheint auch als (Druck-Ausgabe): ‡Flow of forms, forms of flow |
540a | ISBN 978-3-8394-4201-2 |
700 | |AK;A |
700 | |DES |
700 | |9585 |
700 | |AK |
700 | |AC |
700 | |DES008000 |
700b | |740 |
700g | 1441175342 LO 90865 |
700g | 1274789885 LH 78270 |
700g | 127479398X LH 79535 |
700g | 1270700626 LH 43550 |
700g | 1270651137 LH 46170 |
750 | As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet.Kossi AguessyHow is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures. |
902g | 208839046 Afrika |
902g | 208913092 Europa |
902s | 208893903 Design |
902s | 20989900X Kulturaustausch |
012 | 504056557 |
081 | Flow of forms, forms of flow |
100 | E-Book UTB-scholars EBS |
125a | Elektronischer Volltext - Campuslizenz |
655e | $uhttps://elibrary.utb.de/doi/book/10.5555/9783839442012 |