037b | eng |
077a | 453948510 Erscheint auch als: ‡: Situating global art |
087q | 978-3-8376-3397-9 |
100b | Dornhof, Sarah ¬[HerausgeberIn]¬ |
104b | Buurman, Nanne ¬[HerausgeberIn]¬ |
108b | Hopfener, Birgit ¬[HerausgeberIn]¬ |
112b | Lutz, Barbara ¬[HerausgeberIn]¬ |
116b | Lutz, Barbara ¬[HerausgeberIn]¬ |
200 | Conference Situating Global Art <2015, Berlin> ¬[VerfasserIn]¬ |
204b | Freie Universität Berlin ¬[Gastgebende Institution]¬ |
331 | Situating global art |
335 | topologies - temporalities - trajectories |
410 | Bielefeld |
412 | transcript |
425 | 2018 |
425a | 2018 |
433 | 1 Online-Ressource |
451 | Image ; 89 |
527 | Erscheint auch als: ‡: Situating global art |
540a | ISBN 978-3-8394-3397-3 |
700 | |ABA;A |
700 | |ART |
700 | |9581 |
700 | |ABA |
700 | |AC |
700 | |ART009000 |
700b | |700 |
700g | 1270641689 LH 61100 |
700g | 1270699040 CC 6900 |
750 | In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception. |
902s | 209483733 Kunst |
902s | 209036745 Moderne |
902s | 213686155 Globalisierung |
907s | 21377948X Postkolonialismus |
912s | 208838821 Ästhetik |
917s | 209483733 Kunst |
917s | 209036745 Moderne |
917s | 213686155 Globalisierung |
922s | 21377948X Postkolonialismus |
927s | 208838821 Ästhetik |
012 | 504014218 |
081 | Conference Situating Global Art <Berlin>: Situating global art |
100 | E-Book UTB-scholars EBS |
125a | Elektronischer Volltext - Campuslizenz |
655e | $uhttps://elibrary.utb.de/doi/book/10.5555/9783839433973 |