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MAB
Ink-Stained Hollywood: The Triumph of American Cinema’s Trade Press
Kategorie
Beschreibung
036a
XD-US
037b
eng
087q
978-0-520-38369-2
087r
$aNamensnennung - Nicht-kommerziell - Weitergabe unter gleichen Bedingungen 4.0 International$cCC BY-NC-SA 4.0$gCreative Commons$uhttps://creativecommons.org/licenses/by-nc-sa/4.0/
087s
$aOpen Access$gControlled Vocabulary for Access Rights$uhttps://purl.org/coar/access_right/c_abf2$funrestricted online access
100
Hoyt, Eric ¬[VerfasserIn]¬
331
Ink-Stained Hollywood
335
The Triumph of American Cinema’s Trade Press
410
Berkeley, CA
412
University of California Press
425
[2022]
425a
2022
433
1 Online-Ressource (280 p.)
521
$tFrontmatter. Contents. List of Figures. List of Tables. List of Boxes. Acknowledgments. Introduction. 1. Remaking Film Journalism in the Mid-1910s. 2. Trade Papers at War. 3. The Independent Exhibitor’s Pal: Localizing, Specializing, and Expanding the Exhibitor Paper. 4. Coastlander Reading: The Cultures and Trade Papers of 1920s Los Angeles. 5. Chicago Takes New York: The Consolidation of the Nationals. 6. The Great Diffusion: Hollywood’s Reporters, Exhibitor Backlash, and Quigley’s Failed Monopoly. Epilogue. Notes. Bibliography. Index
527
Erscheint auch als (print)ISBN: 978-0-520-38369-2
540a
ISBN 978-0-520-38370-8
700
|PER004030
700b
|791.4305
700c
|PN1993.5.U65
750
Klappentext: For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business - a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture - taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism’s relationship with the motion picture industry and its continued impact on creative industries today.
902g
209209682 USA
902s
209810807 Filmwirtschaft
902s
20980386X Fachpresse
902s
208915257 Fachzeitschrift
902s
210687975 Filmzeitschrift
902z
|Geschichte 1905-1940
012
1810171954
081
Hoyt, Eric: Ink-Stained Hollywood
100
E-Book De Gruyter
125a
Elektronischer Volltext - Campuslizenz
655e
$uhttps://www.degruyter.com/isbn/9780520383708
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