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How language speaks to music: prosody from a cross-domain perspective
Kategorie
Beschreibung
036a
XA-DE
037b
eng
077a
1787267695 Erscheint auch als (Druck-Ausgabe): ‡How language speaks to music
087q
978-3-11-077010-0
087s
$aRestricted Access$gControlled Vocabulary for Access Rights$uhttp://purl.org/coar/access_right/c_16ec$fonline access with authorization
100b
Scharinger, Mathias ¬[HerausgeberIn]¬
104b
Wiese, Richard ¬[HerausgeberIn]¬
200b
Walter de Gruyter GmbH & Co. KG ¬[Verlag]¬
331
How language speaks to music
335
prosody from a cross-domain perspective
410
Berlin ; Boston
412
De Gruyter
425
[2022]
425a
2022
433
1 Online-Ressource (269 Seiten) : Illustrationen, Diagramme
451
Linguistische Arbeiten ; volume 583
454
Linguistische Arbeiten
455
volume 583
521
$tFrontmatter. Contents. Introduction: How to conceptualize similarities between language and music. Pitch units in music and speech prosody. Melody in speech and music. A constraint-based approach to structuring language and music: Towards a roadmap for comparing language and music cross-culturally. Word stress perception by congenital amusics. Rhythmic structure – parallels between language and music. Alignment of prosodic weight and musical length in Finnish vocal music textsetting. Metrical mapping in text-setting: Empirical analysis and grammatical implementation. Prominence alignment in English and Turkish songs: Implications for word prosodic typology. Bridging speech and music – A neural common ground perspective on prosody. Index
527
Erscheint auch als (Druck-Ausgabe): ‡How language speaks to music
540a
ISBN 978-3-11-077018-6
540a
ISBN 978-3-11-077025-4 : EPUB
700
|LAN011000
700b
|808.1
700c
|P311
750
Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground
902s
209073772 Prosodie
902s
210109467 Musikalischer Akzent
902s
209924985 Metrum
012
1816939161
081
How language speaks to music
100
E-Book De Gruyter
125a
Elektronischer Volltext - Campuslizenz
655e
$uhttps://www.degruyter.com/isbn/9783110770186
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