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How language speaks to music: prosody from a cross-domain perspective
Kategorie	Beschreibung
036a	XA-DE
037b	eng
077a	1787267695 Erscheint auch als (Druck-Ausgabe): ‡How language speaks to music
087q	978-3-11-077010-0
087s	$aRestricted Access$gControlled Vocabulary for Access Rights$uhttp://purl.org/coar/access_right/c_16ec$fonline access with authorization
100b	Scharinger, Mathias ¬[HerausgeberIn]¬
104b	Wiese, Richard ¬[HerausgeberIn]¬
200b	Walter de Gruyter GmbH & Co. KG ¬[Verlag]¬
331	How language speaks to music
335	prosody from a cross-domain perspective
410	Berlin ; Boston
412	De Gruyter
425	[2022]
425a	2022
433	1 Online-Ressource (269 Seiten) : Illustrationen, Diagramme
451	Linguistische Arbeiten ; volume 583
454	Linguistische Arbeiten
455	volume 583
521	$tFrontmatter. Contents. Introduction: How to conceptualize similarities between language and music. Pitch units in music and speech prosody. Melody in speech and music. A constraint-based approach to structuring language and music: Towards a roadmap for comparing language and music cross-culturally. Word stress perception by congenital amusics. Rhythmic structure – parallels between language and music. Alignment of prosodic weight and musical length in Finnish vocal music textsetting. Metrical mapping in text-setting: Empirical analysis and grammatical implementation. Prominence alignment in English and Turkish songs: Implications for word prosodic typology. Bridging speech and music – A neural common ground perspective on prosody. Index
527	Erscheint auch als (Druck-Ausgabe): ‡How language speaks to music
540a	ISBN 978-3-11-077018-6
540a	ISBN 978-3-11-077025-4 : EPUB
700	\|LAN011000
700b	\|808.1
700c	\|P311
750	Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground
902s	209073772 Prosodie
902s	210109467 Musikalischer Akzent
902s	209924985 Metrum
012	1816939161
081	How language speaks to music
100	E-Book De Gruyter
125a	Elektronischer Volltext - Campuslizenz
655e	$uhttps://www.degruyter.com/isbn/9783110770186