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Electric seeing: positions in contemporary video art
Kategorie	Beschreibung
036a	XA-DE
037b	eng
087q	978-3-8376-5700-5
087s	$aRestricted Access$gControlled Vocabulary for Access Rights$uhttp://purl.org/coar/access_right/c_16ec$fonline access with authorization
100	Klink, Charlotte ¬[VerfasserIn]¬
200b	Staatliche Akademie der Bildenden Künste Stuttgart ¬[Grad-verleihende Institution]¬
331	Electric seeing
335	positions in contemporary video art
410	Bielefeld
412	transcript
425	[2022]
425a	2022
433	1 Online-Ressource (348 Seiten) : Illustrationen
451	Image ; volume 193
454	Image
455	volume 193
520	$a$cDissertation$cStaatliche Akademie der Bildenden Künste Stuttgart$d2020
527	Erscheint auch als (print)ISBN: 978-3-8376-5700-5
540a	ISBN 978-3-8394-5700-9
540a	ISBN 3-8394-5700-9
700	\|ART057000
750	What is the subject of video?Charlotte Klink traces the development of electromagnetism in the pursuit of »Electric Seeing« that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as »video«. This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana and Hito Steyerl
902s	209476311 Medienkunst
902s	210051450 Videokunst
907s	210051450 Videokunst
907s	209074361 Psychoanalyse
912s	210051450 Videokunst
912s	208838821 Ästhetik
012	1815635908
081	Klink, Charlotte: Electric seeing
100	E-Book De Gruyter
125a	Elektronischer Volltext - Campuslizenz
655e	$uhttps://doi.org/10.1515/9783839457009?locatt=mode:legacy