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Adaptation and Cultural Appropriation: Literature, Film, and the Arts
Kategorie	Beschreibung
037b	eng
077a	366107496 Druckausg.: ‡Adaptation and cultural appropriation
077y	2012
087q	978-3-11-027205-5
087q	978-3-11-027223-9
087s	$aRestricted Access$gControlled Vocabulary for Access Rights$uhttp://purl.org/coar/access_right/c_16ec$fonline access with authorization
100b	Nicklas, Pascal
331	Adaptation and Cultural Appropriation
335	Literature, Film, and the Arts
410	Berlin
412	de Gruyter
425	2012
425a	2012
433	Online-Ressource (288 p)
451	Spectrum literaturwissenschaft/spectrum literature ; 27
454	Spectrum Literaturwissenschaft
455	27
527	Druckausg.: ‡Adaptation and cultural appropriation
540a	ISBN 978-3-11-027223-9
674a	2012
700	\|LIT000000
700	\|LIT004130
700	\|LIT004120
700b	\|809
700c	\|PN171.A33
700g	1273603532 EC 2410
750	'Hamlet' by Olivier, Kaurismäki or Shepard and 'Pride and Prejudice' in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts. Pascal Nicklas, Berlin; Oliver Lindner, University of Bayreuth, Germany.
902s	209015608 Literatur
902s	209539585 Bearbeitung
902s	209001933 Künste
902s	209899212 Kulturvermittlung
907s	209015608 Literatur
907s	209539585 Bearbeitung
907s	214185834 Intermedialität
907s	209899212 Kulturvermittlung
012	405040407
081	Adaptation and Cultural Appropriation
100	E-Book De Gruyter
125a	Elektronischer Volltext - Campuslizenz
655e	$uhttps://doi.org/10.1515/9783110272239