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Bossa mundo: Brazilian music in transnational media industries
Kategorie	Beschreibung
037b	eng
077a	1664306846 Erscheint auch als (Druck-Ausgabe): ‡Goldschmitt, K. E.: Bossa mundo
087q	978-0-19-092352-5
100	Goldschmitt, K. E. ¬[VerfasserIn]¬
331	Bossa mundo
335	Brazilian music in transnational media industries
410	New York, NY
412	Oxford University Press
425	2019
425a	2019
433	1 online resource : illustrations (black and white).
451b	Currents in Latin American & Iberian music
501	Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 17, 2019)
527	Erscheint auch als (Druck-Ausgabe): ‡Goldschmitt, K. E.: Bossa mundo
540a	ISBN 978-0-19-092356-3 ebook
700b	\|781.640981
700g	1441186220 LQ 90600
750	'Bossa Mundo' chronicles how Brazilian music has been central to Brazil's national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music's international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This text fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries.
902g	209209682 USA
902g	208942076 Großbritannien
902g	208873732 Brasilien
902s	209141859 Unterhaltungsmusik
902s	210685336 Bossa nova
902s	209083182 Rezeption
902s	209786868 Einfluss
902z	\|Geschichte 1950-2019
012	1681426358
081	Goldschmitt, K. E.: Bossa mundo
100	E-Book Oxford
125a	Elektronischer Volltext - Campuslizenz
655e	$uhttps://dx.doi.org/10.1093/oso/9780190923525.001.0001